{"id":14376,"date":"2026-03-17T06:31:48","date_gmt":"2026-03-17T13:31:48","guid":{"rendered":"https:\/\/wavelet.me\/?p=14376"},"modified":"2026-03-17T06:42:42","modified_gmt":"2026-03-17T13:42:42","slug":"the-eighth-mahler-and-the-world-in-1910","status":"publish","type":"post","link":"https:\/\/wavelet.me\/zh\/2026\/03\/the-eighth-mahler-and-the-world-in-1910\/","title":{"rendered":"The Eighth: Mahler and the World in 1910"},"content":{"rendered":"<p><a href=\"https:\/\/www.amazon.com\/Eighth-Mahler-World-1910\/dp\/0571367526\"><img decoding=\"async\" src=\"http:\/\/images.amazon.com\/images\/P\/0571367526.01.LZZZZZZZ.jpg\" height=250 class=\"alignright\" \/><\/a>Author: Stephen Johnson<br \/>\nRating: <img decoding=\"async\" class=\"sr-img\" src=\"https:\/\/wavelet.me\/wp-content\/plugins\/star-rating-for-reviews\/images\/star.png\" alt=\"&#9733;\" \/><img decoding=\"async\" class=\"sr-img\" src=\"https:\/\/wavelet.me\/wp-content\/plugins\/star-rating-for-reviews\/images\/star.png\" alt=\"&#9733;\" \/><img decoding=\"async\" class=\"sr-img\" src=\"https:\/\/wavelet.me\/wp-content\/plugins\/star-rating-for-reviews\/images\/star.png\" alt=\"&#9733;\" \/><img decoding=\"async\" class=\"sr-img\" src=\"https:\/\/wavelet.me\/wp-content\/plugins\/star-rating-for-reviews\/images\/star.png\" alt=\"&#9733;\" \/><img decoding=\"async\" class=\"sr-img\" src=\"https:\/\/wavelet.me\/wp-content\/plugins\/star-rating-for-reviews\/images\/blankstar.png\" alt=\"&#9734;\" \/><\/p>\n<p>The author explores Mahler\u2019s final years, from the monumental success of his Eighth Symphony, the work that cemented his legacy as one of the greatest composers, to the haunting, unfinished Tenth. The author places Mahler\u2019s late masterpieces, including Das Lied von der Erde, within a lineage of art and philosophy reaching back to Plato and Wagner. By framing Mahler\u2019s internal identity struggle and his ideal of German-ness as the driving force of his creations, the author paints a vivid portrait of a composer caught at the turning point of European history, making this an engaging and compelling read for understanding Mahler\u2019s intricate world.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author: Stephen Johnson Rating: The author explores Mah [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[26],"tags":[44,53,8],"class_list":["post-14376","post","type-post","status-publish","format-standard","hentry","category-books","tag-44","tag-biography","tag-music","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"zh","enabled_languages":["en","zh"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"zh":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/posts\/14376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/comments?post=14376"}],"version-history":[{"count":5,"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/posts\/14376\/revisions"}],"predecessor-version":[{"id":14384,"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/posts\/14376\/revisions\/14384"}],"wp:attachment":[{"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/media?parent=14376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/categories?post=14376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wavelet.me\/zh\/wp-json\/wp\/v2\/tags?post=14376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}